Credo for Orchestra, Choir and Five Soloists (feat. Jhoxiris Medina, Grace Terán, Claudio González, Iván Cardozo & Fernando Escalona) – Simón Bolívar Symphony Orchestra of Venezuela – Simon Bolivar National Choir – Christian Vásquez
May, 2024
Credo for Orchestra, Choir and Five Soloists (feat. Jhoxiris Medina, Grace Terán, Claudio González, Iván Cardozo & Fernando Escalona) – Simón Bolívar Symphony Orchestra of Venezuela – Simon Bolivar National Choir – Christian Vásquez
May, 2024
Credo for Orchestra, Choir and Five Soloists (feat. Jhoxiris Medina, Grace Terán, Claudio González, Iván Cardozo & Fernando Escalona) – Simón Bolívar Symphony Orchestra of Venezuela – Simon Bolivar National Choir – Christian Vásquez
Prague Symphony Orchestra – Het Gelders Orkest – Jiri Malat – Christian Vásquez – Liza Ferschtman
Korngold’s Violin Concerto was completed in 1945. This is a beautiful, late Romantic work that harks back clearly to Korngold’s earlier compositional style, when he was a younger man living in Vienna. But had he really turned his back on film music he was used to compose in America? Every movement of the Concerto is scattered with fragments from a range of his film scores. The Violin Concerto was a huge success at its premiere, not least due to the performance by Jascha Heifetz as soloist.
The 1950s, a period when Korngold’s career and indeed his life were drawing to a close, were a most productive time for Leonard Bernstein. He was achieving major successes on Broadway with his musicals.
The Serenade for violin, strings, harp and percussion had its premiere in Venice in 1954. There were two factors behind the composition. He had accepted a commission from the Koussevitzky Foundation. Also, he had long been promising a new piece for his close friend, the violinist Isaac Stern. Both of these commitments coincided in the Serenade, an extremely lyrical, five-movement work, akin to a violin concerto.
February, 2018
Prague Symphony Orchestra – Het Gelders Orkest – Jiri Malat – Christian Vásquez – Liza Ferschtman
Korngold’s Violin Concerto was completed in 1945. This is a beautiful, late Romantic work that harks back clearly to Korngold’s earlier compositional style, when he was a younger man living in Vienna. But had he really turned his back on film music he was used to compose in America? Every movement of the Concerto is scattered with fragments from a range of his film scores. The Violin Concerto was a huge success at its premiere, not least due to the performance by Jascha Heifetz as soloist.
The 1950s, a period when Korngold’s career and indeed his life were drawing to a close, were a most productive time for Leonard Bernstein. He was achieving major successes on Broadway with his musicals.
The Serenade for violin, strings, harp and percussion had its premiere in Venice in 1954. There were two factors behind the composition. He had accepted a commission from the Koussevitzky Foundation. Also, he had long been promising a new piece for his close friend, the violinist Isaac Stern. Both of these commitments coincided in the Serenade, an extremely lyrical, five-movement work, akin to a violin concerto.
February, 2018
Prague Symphony Orchestra – Het Gelders Orkest – Jiri Malat – Christian Vásquez – Liza Ferschtman
Korngold’s Violin Concerto was completed in 1945. This is a beautiful, late Romantic work that harks back clearly to Korngold’s earlier compositional style, when he was a younger man living in Vienna. But had he really turned his back on film music he was used to compose in America? Every movement of the Concerto is scattered with fragments from a range of his film scores. The Violin Concerto was a huge success at its premiere, not least due to the performance by Jascha Heifetz as soloist.
The 1950s, a period when Korngold’s career and indeed his life were drawing to a close, were a most productive time for Leonard Bernstein. He was achieving major successes on Broadway with his musicals.
The Serenade for violin, strings, harp and percussion had its premiere in Venice in 1954. There were two factors behind the composition. He had accepted a commission from the Koussevitzky Foundation. Also, he had long been promising a new piece for his close friend, the violinist Isaac Stern. Both of these commitments coincided in the Serenade, an extremely lyrical, five-movement work, akin to a violin concerto.
